No horses were harmed in the drawing of this comic. Well, cartoon horses were harmed, I guess.
I saw Annihilation, and it’s a bit of a head trip. If you can find it in theaters, it’s absolutely worth it if you like cerebral scifi and don’t mind a dab of body horror/gore. Although the movie’s rather vague as to the actual concrete facts of what the heck is going on, which led me to question quite a few plot points. But it’s hard to call out plot holes because the story’s open ended enough that it’s easy to surmise potential counterpoints to plug any holes. The visuals are unique and it’s not a common scifi premise, which is refreshing. Also, it stars Padme Amidala and Poe Dameron, how weird is that?
I also finally watched the third live action Kenshin movie, as I had the trilogy on bluray from before the big Watsuki scandal. It’s kind of a frustrating film, because it’s eschews from the original story in quite a few places that don’t really help it dramatically. Also some of my favorite story beats from the Kyoto arc are excised completely, namely the entirety of the defense of the Aoiya Inn. If that sequence had been included, it would’ve given a chance for the lesser Juppongatana to be in the film, as well as given Yahiko and Kaoru something to do, as they literally just stand behind a fence during the big fight scenes and serve no purpose in the story at all. There’s a span of time spent on Kenshin being hunted as a fugitive, and going back to Tokyo to meet with Megumi for no good reason, which all could’ve been time spent with Kaoru and Yahiko at the Aoiya Inn, it’s a bummer.
The final fight with Shishio also turns into an unfortunately comical brawl, with Shishio fighting Sano, Kenshin, Saito, and Aoishi all at once. If they’d just cut that out and followed the structure of the fight in the manga, with Kenshin incapacitated and the others just stalling for time until he could recover, it would’ve worked much better. I still enjoy the live action films thanks to great casting, cinematography, and fight choreography, but they fall frustratingly short of greatness due to some weird tonal shifts, too eclectic soundtrack, and frustrating story decisions.
Published on by Alex Kolesar